Author: admin

  • Pseudo Relations

    NEW RELEASE ON STREAMING PLATFORMS FROM TODAY!

    Pseudo Relations by Isak Persson for 19-div trumpet – played by Stephen Altoft- is now available on Spotify, Apple Music etc. The sound engineer and producer was Vasiliki Kourti-Papamoustou.

    Microtonal Project’s Records are releasing a track monthly until the summer on all major streaming platforms.

    Isak Persson was born in Helsingborg in Sweden in 2003. At 10 years old Isak picked up the guitar, and throughout the years he has played both electric guitar and classical guitar. By the end of elementary school Isak began to transition from writing electric guitar riffs to writing contemporary classical pieces.

    Isak is currently taking a bachelor in composition at the Royal Danish Academy of Music in Copenhagen. Before RDAM he was studying music at Malmö Latinskola for three years, there his main instrument was guitar and he studied composition as a subsidiary subject. 

    Isak’s music has been performed by himself, Red-Note Ensemble, Vindla String Quartet, Esbjerg Ensemble and more.

  • Furano Sax Quartet

    The Italian sax quartet, Furano, have been collaborating with us for a couple of years, on putting together a quintet programme with quarter-tone trumpet.

    There are currently pieces for quarter-tone trumpet and sax quartet by Daniele Bravi, Vasiliki Kourti-Papamoustou (based on Donald Bousted’s Microtonal Studies)and Alberto Napolitano. In addition there is a graphic score piece by Stephen Altoft for sax quartet.

    Last year Stephen travelled to Foggia, Italy to make a recording and a video demo of La Fragilità del Riflesso by Daniele Bravi.

  • Dialogue

    Microtonal Project’s Records are releasing a track monthly until the summer on all major streaming platforms. Paul Rhys’s ‘Dialogue is now also out!

    ‘I am delighted to have (so far) given three performances of thiswork- at Churchill College (Cambridge), at EUROMicroFest (Freiburg, Germany) and Hyperchromatic Festival (London). Now more people can have access to this piece, which has been a joy to work on with Paul over the last few years.’ (Stephen Altoft)

    Paul Rhys – Dialogue for Trumpet

    In this piece a 19-note trumpet enters into dialogue with a computer soundtrack created using granular synthesis by fractal organization. The soundtrack uses two brief recorded sounds, one of them a single drop of water. I am grateful to Anglia Ruskin University for funding the research leave that enabled the creation of this piece. I am also very grateful to the extraordinary trumpeter Stephen Altoft who developed the 19-note trumpet and has since encouraged a wide community of composers to write for the instrument.

    Paul Rhys was born into a musical family but read sciences at Oxford before turning to postgraduate study as a composer in the UK and US. He has taught at Reading University, at Clare College Cambridge, and currently teaches at Anglia Ruskin University. His early electronic work Ebb and Flow gained a Bourges Residency prize. Soon after, a Wingate Foundation Scholarship funded a year of study at Northwestern University in the US where he completed Chicago Fall for mixed acoustic and electronic ensemble, later performed at the Pompidou Centre in Paris. His virtuoso piano solo Not I follows the structure of Samuel Beckett’s monologue and has been performed internationally by pianist Ian Pace, who also premiered Rhys’ Piano Concerto in London. Since 2017 he has been composing music in 19 divisions of the octave, gradually developing theory, practice, and software in a series of works for voices and instruments setting sacred texts from the Baha’i writings.

  • Lud’s Church

    Microtonal Project’s Records are releasing a track monthly until the summer on all major streaming platforms. Richard Whalley’s Lud’s Church is the first:

    Lud’s Church by Richard Whalley for 19-div trumpet- played by Stephen Altoft– and Multitrack recordings is now available on Spotify, Apple Music etc. It was produced by Donald Bousted and Vasiliki Kourti-Papamoustou.

    ‘Lud’s Church is a surprisingly deep chasm, hidden in the woodland of the Peak District in Staffordshire, England. It is dark, foreboding and damp, even in summer: an excellent hiding place – hence being associated with many stories and histories, including Robin Hood; and also Gawain and the Green Knight. Notably it is where a group of Christian reformers, followers of John Wycliffe, hid to escape persecution in the 15th century. It is thought that they sung psalms whilst hiding there, and it is speculated that their nickname, the ‘Lollards’ (or mutterers) refers to their style of delivery of such psalms – and this is how the chasm got its name.

    Lud’s Church for 19-division trumpet and Multitracks, was the last place I visited for a hike before the first Covid-19 lockdown (in early 2020) made travel to such places impossible for a period. It was composed in a spirit of yearning for the freedom of exploration. Such exploration extends to the tuning system used here: 19 equal divisions of the octave, which results in a mix of familiarity and weirdness that seemed ideal for attempting to capture something of the essence of this magical place. I will always be grateful for the opportunity to write for Stephen Altoft’s 19-division trumpet, which prompted this musical exploration.’ (RW)

    Richard Whalley is a composer and pianist living in Manchester, where he is a Senior Lecturer in Composition at the University of Manchester. His compositions take their inspiration from the passage of time and memory, analogies with visual art and sculpture, from geopolitics (e.g. the plight of refugees, the fallout from Brexit, the climate emergency) and – increasingly – from nature: physical processes which may be huge (e.g. glaciation and erosion of mountains) or microscopic (e.g. looking in detail at the structure of plants). As a pianist he regularly performs classical and contemporary music as a soloist and ensemble player and has given numerous premieres.

  • Hyperchromatic Festival 2025

    The first microtonal festival in London sind UKMicroFest 4 in 2012! The first microtonal festival in the UK since ‘Beyond the Semitone’ in Aberdeen in 2013! 

    Organised by our partner-in-microtones, Joe Gusmano and to include lectures and concerts featuring Stephen Altoft (microtonal trumpets and flugelhorn), Lore Amenabar Larrañaga (quarter-tone accordion), Carla Rees (quarter-tone flutes), Eddie Clijsen (Composer), Pedro Finistera (composer), Joe Gusmano (Composer), Brian Inglis (Composer) and Elizabeth Knatt (Recorder), Jamie Benzies (oud) and Paul Rhys (Composer)

    https://www.eventbrite.com/e/hyperchromatic-music-festival-tickets-1283827866709?aff=oddtdtcreator

    See main page

  • Resources Folders

    Today we have updated the contents of both the Microtonal Trumpet Resources Folder and the Microtonal Projects Resources Folder on Dropbox. Please scroll down to the bottom of the pages for the contact forms to request access. There are now 169 member of the MT Resources, and 31 of the MP Resources.

    If you were a previous ‘member’ of the folder but can’t find it, then you need to re-register owing to the transfer of the folder to a new owner.

    Fill in the contact form (scroll to bottom of linked page for form) to receive an invitation to access this folder. Please agree to be put on our mailing list so we can keep in touch with those using our resources! Also it is nice to hear what your specific interest is- as a composer, trumpeter or general microtonal music lover. It has been nice to have a brief exchange with everyone joining during the last few years.

    We have been and shall continually be adding to both these Dropbox folders. In particular, we shall be adding articles by microtonal instrumentalists who have appeared at our events over the years and or worked closely with Donald Bousted.

  • The 19-division Trumpet, MKII

    This week, Stephen Altoft collected the new 19-division trumpet conversion kit from Musik Gillhaus (Freiburg, Germany). After tweaking the Prototype and then the Mark I Kit over the last 21 years at the workshop, we are thrilled that Takuma, a current apprentice at Musik Gillhaus, has taken on this project. Under the guidance of Siegmar Fischer (who built the original kits) and using the experience gathered through building other quarter-tone slides and conversion kits, Takuma has not only reproduced the parts but also improved upon the original design. They also intend to make new quarter-tone conversion kits for Stephen’s Bb and C trumpets.

  • Sydney MicroFest

    Our partners in Sydney, Kraig Grady and Michael H. Dixon are co-curating the 6th Sydney MicroFest.

    Music by: Kraig Grady, Michael H. Dixon, Amanda Cole, Stephen Altoft, Matthias S. Krüger, Greg Schiemer, Praveen Venkantaramana and Michael Bakrnčev. 

  • Writing for quarter-tone accordion

    Today I added another useful and fantastic resource: ‘Writing for the quarter-tone accordion’ by Lore Amenabar Larrañaga, who recently was awarded her PhD from the Royal Academy of Music in London. Many congratulations to her and many thanks for providing this article for Microtonal Projects’ Resources Folder.

    Her website is: www.loreamenabar.com

    There will also be additional resources for other microtonal instruments added over the coming year.

    Registration form link:

  • ISPILU

    A ground-breaking recording project by Lore Amenabar Larrañaga

    I really enjoyed listening to this new CD of quarter-tone accordion works by Claudia Molitor, David Gorton, Donald Bousted, Mioko Yokoyama, Michael Finnissy, Christopher Fox, Electra Perivolaris and Veli Kujala.

    The CD is available here and on all digital platforms. Please have a listen!