Category: Uncategorized

  • EuroMicroFest 2019 – Microtonal Talks

    MICROTONAL TALKS

    Elisabeth-Schneider-Stiftung, Saturday 25, May, 2019, 2pm – 4.30pm 

    As is usual at EUROMicroFest, we ask a small number of distinguished guests to present an insight into their work.

    2.00pm || Historical Tunings and Temperaments on Guitar: An Introduction to their Realisation with Modern Microtonal Fretboards with Michael Kudirka (USA). 

    2.30pm || Composer Matthias S. Krüger presnts his piece ‘Arkadische Botschaften I’ – after Peter Kees – for microtonal guitar with prepared steel strings in scordatura. We are delighted that the distinguished guitarist Stephan Schmidt will be present to play the complete work.

    3.00pm || Christian Klinkenberg (BE), Engaging the audience: Microtonality and Interactivity in a Concert Situation.  Composer/performer Christian Klinkenberg will demonstrate an app which introduces interactivity into the concert situation.

    3:30pm || Characteristics of the microtonal scene in Finland with composer Juhani Vesikkala

    4.00pm || Crafting the Pitch: microtones on the recorder and The Quarter-Tone Recorder Manual with Kathryn Bennetts (GB), Recorder.  Kathryn will introduce the pedagogical method behind the Quarter-Tone Recorder Manual and demonstrate the progression through two works by Donald Bousted.

  • David Henkelman at EUROMicroFest 2019

    David Henkelman (CA) will give a keyboard recital on Saturday 25. May, 2019 at Museum für Stadtgeschichte, Wentzinger Haus, 11am- 12pm

    He will play music from the 17th and early 18th Centuries in historical tunings – at least two different tunings will be used

    Works by Johann Christoph Bach (1642-1703), Michelangelo Rossi (1601/1602-1656), Girolamo Frescobaldi (1583-1643), Johann Jacob Froberger (1616-1667), Johann Sebastian Bach (1685-1750)

    Henkelman David - Photo David Henkelman was born in Vancouver, Canada. In 2012 he received a Bachelor’s degree in Anthropology and Spanish, and then in 2015 he received a Bachelor’s of Music degree in harpsichord and historical performance from McGill University in Montreal. In 2016 David began his studies at the Hochschule für Musik, Freiburg, studying harpsichord and fortepiano with Prof. Dr. Robert Hill and basso continuo with Prof. Michael Behringer. He finished his studies in 2019. As a harpsichordist and a continuo player, David has participated in several concerts and projects under such renowned directors as Jeanne Lamon (Tafelmusik), Raphaël Pidoux, Adrian Butterfield, and Ton Koopman, Since 2018 he has been a scholarship recipient from the Williamson Foundation of Music.

  • Michael Kudirka (guitar) opens EUROMicroFest 2019 on Friday, May 24th, 20:00.

    Michael Kudirka – guitar

    EUROMicroFest 2019. Friday, May 24th, 20:00.

    Elisabeth Schneider Stiftung. Freiburg im Breisgau​, Germany.

     

    Programme

    • 1⁄4-comma Meantone Tuning

    Francesco Canova da Milano (1497-1543)

    Fantasias from the libro terzo (pub. posth. 1562) Fantasia 2 (N 31) Fantasia 10 (N 13) Fantasia 6 (N 35) Fantasia 5 (N 33) Fantasia 11 (N 38)

    John Dowland (1563-1626)

    Four Lute Pieces Lachrimae (P 15)

    Forlorn Hope Fancy (P 2)
    Semper Dowland Semper Dolens (P 9) Mr. John Langton’s Pavan (P 14)


    • 1⁄5-syntonic comma Continuo (Werckmeister 1698)

     Johann Sebastian Bach (1685-1750)

    Lute Suite in E minor, BWV 996

    Praeludio, Allemande, Courante  Sarabande,  Bourrée, Giga


    • 12-TET with 1⁄3-tones and 1⁄4-tones

    Jeffrey Holmes (b. 1971)

    Draumr [Dreams] (2013)
    I. Svarti Sæ [Black Sea] II. Blakkr Straumr [Dark Current] III. Svalbarð [The Cold Edge]


    • Temperament Ordinaire (Jean-Philippe Rameau, 1726)

    Bryan Johanson (b. 1955)

    I. Two Gizmos (2018) I Presto, ma realistico; II. Allegro vivo


    • 11-Limit Just Intonation (Lou Harrison and William Slye, 2001)

    Dusan Bogdanovic (b. 1955)

    Village Music (2004)  I. quasi improvvisando; II. Moderato ritmico

     

    Michael Kudirka is a classical guitarist with many interests including collaborations with living composers, chamber music with guitar, and historical performance practice on lute and theorbo. Performing internationally throughout Europe, Asia, and North America he has appeared in many notable concert series, including Other Minds 8, the 43rd Darmstadt Ferienkurse für Neue Musik, Montreal’s “Musique Contemporaine”, Portland Guitar Festival, Guitar Foundation of America 2011 International Convention, Jacaranda “Music at the Edge”, and the L.A. Philharmonic’s “Minimalist Jukebox”, among many others. He has won first prize at several major guitar competitions including the 2000 Portland International Guitar Competition, the American String Teachers Association Competition, the Pacific Guitar Competition, and the University of Southern California Concerto Competition. He has won grants from the Theodor Presser Foundation, the California Arts Council, and the American Composer’s Forum and has held faculty positions at the University of North Carolina School of the Arts, Interlochen Arts Academy, University of Southern California, and Idyllwild Arts Academy.

    Michael Kudirka is sponsored by D’Addario and Augustine strings.

    www.michaelkudirka.com

    with grateful support from Carl-Schurz-Haus:
  • Black Forest Percussion Group: Natur * Gesetz

    A Partner event of EUROMicroFest 2019 and in collaboration with L’estro Armonico (two concerts).
    1) Elisabeth-Schneider-Stiftung, Freiburg
    10.05.2019, 8pm

    2) Erzingen Kath. Pfarrkirche St. Georg, Stuhlingen
    12.05.2019, 5pm
     

    L’estro Armonico

    Monika Ecker, Cello
    Nadja Camichel, Flute
    Yelizaveta Kozlova, Violin
    Adhi Jacinth Tanumihardja, Harpsichord
     

    Black Forest Percussion Group

    Lee Ferguson
    Christian Rombach
    Dino Georgeton
    Bertrand Gourdy

    The concert carries the title of “Natur*Gesetz” and is based around two works, J.S. Bach’s “Musical Offering” and David Lang’s “The So-Called Laws of Nature”.  The listener will be experiencing two different types of microtonality in these concerts. L’estro Armonico will be playing in Valotti a’=415Hz while Black Forest will be playing hand-made instruments which have been tuned to a tempered scale; although the nature of the instruments and inconsistency of materials (Ceramic flower pots, wooden boards, metal pipes,) naturally create a microtonal quality and unusual sound spectrums. 
    Sponsors

    Stadt Freiburg Kulturamt 

    Regierunspräsidium Freiburg
    Erzingen: Katholische Pfarrkirche St. Georg
  • Polyphonic Performance Spaces Microtonal Day Programme Released

    Christian Klinkenberg introduces a Microtonal Day as part of the Polyphonic Performance Spaces Programme on 27th February, 2019 at Koninklijk Conservatorium, Brussels.

    Download brochure: pps program

    To enroll, contact: kunstenplatformb@gmail.com.

  • EUROMicroFest 2019

    EUROMicroFest 2019 (Artistic Director, Donald Bousted)
    4th international festival of microtonal music and interdisciplinary art presents:
     
    Das Stimmt!!
    Alte und Neue Musik
    In Tune!
    Early and New Music
    EUROMicroFest is a collaboration between Microtonal Projects and un-sound e.V. in Freiburg, Germany.
    Dates: 24th-25th May, 2019, at the Elisabeth-Schneider-Stiftung and Museum für Stadtgeschichte, Wentzinger Haus.

     

    The concerts will feature guitarist Michael Kudirka (USA), sponsored by the Carl-Schurz-Haus Freiburg; keyboard player, David Henkelman (Freiburg/ Canada); duo Contour (microtonal trumpets and malletKat) and ensemble l’imaginaire (Strasbourg)

     

    Speakers: Matthias S. Krüger (Lörrach, DE) with guitarist, Stephan Schmidt (Basel); Composer, Christian Klinkenberg (BE); recorder player Kathryn Bennetts (co-author of The Quarter-Tone Recorder Manual) (GB) and, from the Finnish Microtonal Society, composer Juhani Topias Vesikkala.

     
    INSTALLATION:
    Elisabeth-Schneider-Stiftung
    Pong,Pong,Pong – microtonal videogame for up to 6 players
    Students from the Hochschule Macromedia with Prof. Ephraim Wegner

     

    A full programme will be released soon!

     

    Funded by

    Strandkorbstiftung/ Freiburger Bürgerstiftung
    Sparkasse Freiburg- Nördlicher Breisgau 
    Stadt Freiburg im Breisgau Kulturamt
    Stiftungen Landesbank Baden-Württemberg
    Regierungspräsidium Freiburg

     

    Sponsors
    Musik Gillhaus

     

    Venue Partners
    Elisabeth-Schneider-Stiftung
    Museum für Stadtgeschichte, Wentzinger Haus

     

    EMF Freiburg Partner Ensembles:

     

    International Partners
    Internationale Gesellschaft für Ekmelische Musik (Salzburg)
    ‘Mikrotöne: Small is beautiful’ 
    ZM4 (Zentrum für Multimedia und Mikrotonalität Musik, Hochschule für Musik und Theater Hamburg)
    KL-EX Ensemble (Belgium) 
    “Polyphonic Performance Spaces” Conference
    Sound Plasma Tallin and Berlin
  • RASP on Bandcamp

    https://stephenaltoft.bandcamp.com/album/rasp

    We have been aware that buying RASP (Stephen Altoft’s 2nd CD of 19-div music) through Tutti is expensive, because of postage and packing charges, if you live at various points around the world.  We have therefore added it to Bandcamp.  We hope you will still buy it!  Although you get 3 listens for free!

    Also, we have added Steve’s first solo 19-div CD The Yasser Collection to our Dropbox Resources.  This is now available FREE if you have signed up to The Microtonal Trumpet mailing list via the contact page.

     

  • Presentation of 19-div Theory and Repertoire

    13 December, 2018 Forum Neue Musik, 7pm

    Staatliche Hochschule für Musik Mannheim, Germany. Works by Stephen Altoft, Donald Bousted and Carlos Cotallo Solares (WP). Performed by DUO CONTOUR.

    There will be a presentation by Donald Bousted, composer and Artistic Director of Microtonal Projects, on the 19-division Tuning during the afternoon (2.30-4pm) for the composition class of Prof. Sidney Corbett.

  • “Seven Leaves” – An interactive musical narrative by Christian Klinkenberg

    PHOTOS FROM THIS EVENT

    Christian Klinkenberg’s new Bohlen-Pierce composition ‘Seven Leaves’ was first performed on the 27th of April in the cultural center “Alter Schlachthof” Eupen (Belgium) with the Kl-Ex Ensemble. There will be a further performance on November 20th, 2018 in the “AINSI” Theater Maastricht (NL).

    The musicians

    • Nora-Louise Müller: Bohlen-Pierce Clarinet
    • Todd Harrop: Bohlen-Pierce ChimesÂ
    • Franck Hemmerle: Percussion
    • Vedran Mutic: Bohlen-Pierce-E-BassÂ
    • Melle Weijters: Bohlen-Pierce-E-Guitar
    • Christian Klinkenberg: Bohlen-Pierce Keyboard
    • Paul Pankert: ViolinÂ
    • Suse Weisse: Storyteller
    • Lothar Felten: Interactive App
    • Jens Schumacher: Samples and real-time-fx
    • Marc Kirschvink: Paintings

     

    Plot

    A story about lost love, an evil witch, an enchanted tree, and the leaves that hung, but never grew is integrated in the performance.

    The scale

    The Bohlen Pierce scale is a 13-step non octave scale which is tempered to the perfect-twelfth (3/1). For this reason, the musicians have specially constructed instruments (clarinet, keyboard, chimes). The string instruments (e-guitar, bass, violin) also need to retune their strings and have to increase the spacing of the fingerings or frets by about half.

    The app

    The special feature of this performance: the audience can play along via an app.

    Partners

    EUROMicroFest, Chudoscnik Sunergia, IMPACT (International Meeting in Performing Arts and Creative Technologies), Jazz Maastricht

    Photos by Peter Ortmann

     

  • EASTER release of RASP!

    DSC04884 (1)

    Buy RASP now from Tutti for only £12

    Download the full programme notes: RASP CD Programme Notes

    11 new tracks all for Stephen Altoft’s unique 19-div trumpet

    We really hope you love it!  We’re already preparing the next release!